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List Price: $21.98Amazon.com's Price: $19.99 You Save: $1.99 ( 9%)Prices subject to change.
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Aspect Ratio: 1.66:1
Audience Rating: NR (Not Rated)
Binding: DVD
EAN: 0899132000510
Format: Classical, Color, DVD-Video, Widescreen, NTSC
Label: Euroarts
Languages: RussianOriginal LanguageDolby Digital 2.0EnglishSubtitled
Manufacturer: Euroarts
Number Of Discs: 1
Number Of Items: 1
Publisher: Euroarts
Release Date: June 24, 2008
Running Time: 150 minutes
Studio: Euroarts
Theatrical Release Date: 1992
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Editorial Review:
Amazon.com:
Some DVDs are self-recommending; i.e., they offer definitive performances by great artists. That's the case in this 1992 BBC-derived production of Tatiana Nikolayeva playing Shostakovich's Preludes and Fugues, Op. 87, a work she inspired and which the composer dedicated to her. They met in 1950; Nikolayeva a contestant in a Bach Piano competition, Shostakovich on the jury. Her playing of Bach's music decided the composer to write his own set of Preludes and Fugues, after the master's great work. She was only 26 at the time and in 1992, we see a grandmotherly figure, pudgy, hair in a bun, but also a musician/pianist of the highest order playing a work she knew intimately and recorded often. Furthermore, it's a work that arguably is the greatest solo piano work of the 20th century, a work in which Shostakovich laid bare his soul, writing some of his most intimate and moving music.
It would be futile to single out any of these 24 pieces as better than any of the others. They straddle so wide an emotional and pianistic canvas that one can only revel in each piece and listen again and again to discover the linking threads that Shostakovich used to create a work of such all-encompassing depth and drama. Nikolayeva so identifies with this music that one feels her way is the way it must go, that she penetrates Shostakovich's intentions and meaning. So she's as convincing in the innocence of the D-Flat Prelude as she is stunning in that work's whirlwind Fugue; as gracefully elegant in the B-flat minor's prelude as she is powerful in the granite-like opening of the E-Flat major Prelude. And some of the fugues are played with such intimacy and spontaneity that one might think she was improvising on the spot. A card announcing which work is to be played precedes each of the 24 pieces. The BBC studio set is odd but for the most part unobjectionable. Camera movements are generally unobtrusive, a good thing since watching Nikolayeva's facial expressions (terrific intensity) and hands on the keyboard add a special dimension. Great music in a definitive performance--can one ask for more? --Dan Davis
Average Rating: 
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Everything about this DVD is first rate. The compositions are masterpieces. The performer plays them better than anyone else. The film was made with patience, care, intelligence, and forethought -- it is interesting to watch without being distracting from the performance. As to the performance... it is beautiful. We are lucky this film exists!
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Pour tous qui aime la musique de Nikolayeva, ce dvd est un "must".
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When it comes to Shostakovich's Preludes Tatiana Nikolayeva is the abosulte master. One thing is to hear her performances, another to see her absolute dominion and mastership of everything needed to be a great concert master. You will see her flawless hands movements, her incredible fingering and how she can obtain crescendos and pianissimos pressing the keys all the way down. Old school, if you want, but perfect. On an subjective feelings I discovered her beyond the audible spectrum, although I have heard many times her The Art of The Fugue incomparable performances. I f you like Shostakovich and/or if you like virtuoso performances, do yourself a favor, and get this DVD.
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At the Leipzig Bach Piano Competition held in 1950 on the occasion of the 200th anniversary of Bach's death, Dmitri Shostakovich was the chief judge. The winning pianist was a 26-year-old Russian, Tatiana Nikolayeva. The two met and began what was to become a lifelong friendship. Hearing so much Bach so impressed Shostakovich that a year later he composed what became his Op. 87, the 24 Preludes and Fugues for piano, inspired by Bach's Well-Tempered Clavier which Nikolayeva had played so well in Leipzig. He dedicated the work to her, she premiered it in 1952, and the set became the work with which Nikolayeva was most closely associated. She recorded it a number of times. Forty years later in December 1992 she was filmed playing the work in the BBC studio. The set was then telecast piecemeal over a period of several days during that year's Christmas season. Only a year later Nikolayeva died at the age of sixty-nine.
The Preludes and Fugues are written in each of the twenty-four ... Read More
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